[Destroying/Taking] : Chris Pfeiffer, Julian Raeven
1905
Durham Centre of Contemporary Paint, Kyoto, Japan

There is maybe a sense of other times in this work, within the present tense transmitted to the screen. The work does result from an awareness of the kinds of activity: collecting, analysing and sharing data; without change - significant change via experimentation - contemporary art risks fading into stale predictability; that engages a revitalized appreciation of the genre, it takes more than just visual or acoustic reception to understand the works, for they are synaesthetic, appealing simultaneously to the visual, acoustic and physical perceptions of the viewer and captivating in their precision.